Category Archives: Paulo Freire

Theatre of Liberation: Marc Weinblatt of the Mandala Center for Change: Part One

“Theatre is a form of knowledge; it should and can also be a means of transforming society. Theatre can help us build our future, rather than just waiting for it.”—Augusto Boal, Theatre of the Oppressed

Marc Weinblatt has been a professional educator, theatre director, activist, and workshop facilitator since 1980 having extensive experience with both adults and youth. An internationally recognized leader in the use of Augusto Boal’s renowned Theater of the Oppressed (T.O.) to stimulate community dialogue and social change, Marc has worked with diverse communities ranging from police to homeless youth, grassroots organizers and laborers to University deans. Internationally, he has worked with activists in Norway, Holland, and Canada, youth workers in Guatemala, refugees in Azerbaijan, ex-combatants in Northern Ireland, construction workers in South Africa, slum families in India, community workers in the Republic of Congo, and victims of war, among others, in Afghanistan. Marc was named “Cultural Envoy” by the U.S. State Department for his work in the Congo in spring 2010. Marc regularly facilitates T.O. based diversity / anti-oppression workshops in a wide variety of contexts across the U.S. with a commitment to bringing a deep sense of spirit and humanity into social justice work. He also directs the multi-generational Poetic Justice Theatre Ensemble which incorporates T.O. and Playback Theatre techniques to generate community dialogue on burning social issues. One of Augusto Boal’s “multipliers”, Marc has trained thousands of people in the use of Theatre of the Oppressed techniques through his classes and annual week-long intensive trainings since the early 1990′s. Marc is also a dedicated father of 4 beautiful boys. (bio from the Mandala Center for Change website: http://www.mandalaforchange.com/site/about-us/our-team/)

In Part One: Theatre of Liberation, Marc shares his theatre background and outlines Augusto Boal’s Theatre of the Oppressed (TO) and Playback Theatre (founded by Jo Salas and Jonathan Fox). He draws examples from his experience with homeless and lbgtq youth.

 

Popular Education for Social Change: An Economic Justice Teach-In at Agnes Scott College

This audio podcast is a concrete example of popular education for movement building and social change. As defined by the Highlander Research and Education Center: “Popular Education is a participatory process that combines people’s experiences to develop collective analysis and strategies for action for positive social change.”

 

This campaign has been “a long haul”, and we are continuing to “make the road while walking” (Myles Horton’s terms). The struggle for a true living wage is complex. For example, our dining hall staff are divided into Agnes Scott employees (Laborer’s International Union, with Facilities staff) and Aramark (four years unionized with SEIU). Aramark staff have four months a year with no work or pay as seasonal school employees in Georgia. For another example, our outsourced landscaping staff have zero sick days and greatly reduced vacation time with the new company. So there is a continued urgency to do this justice work. In addition to working on undoing structural oppression, the campaign has over the past 25 years founded an employee emergency fund and English for Speakers of Other Languages (ESOL) courses. Hourly staff and students are the core leaders of the movement, and any significant change is from their coalition work, along with support from community partners.

How do we educate at an institution that has as its mission statement: “AGNES SCOTT COLLEGE educates women to think deeply, live honorably and engage the intellectual and social challenges of their times”? We in the living wage campaign take this mission seriously and stand with our colleagues to work for a just campus. In the words of one custodian: “I choose to stand and make a difference.”

On Feb. 16, 2018 (Founders’ Day at Agnes Scott) the Agnes Scott College Living Wage Campaign held an Economic Justice Teach-In to raise awareness, educate, and movement build. The Living Wage Campaign has three major focus points: just wages, institutional respect, and democratic workplace. We are a coalition of hourly staff, students, a few salaried staff and faculty, and fabulous community partners (Atlanta Jobs with Justice, the Teamsters, WRFG (Radio Free Georgia) Labor Forum, Project South, Atlanta 9-to-5, Georgia Interfaith Power and Light, and Faculty Forward).

Alumna and former ASC living wage campaign organizer Jillian Wells (2010) served as emcee for the hour and a half event. Another alumna activist, Helen Cox (2010), joined us and offered historical perspective. Dr. Nathan Grigsby, music director for the Joyful Noise Gospel Choir at ASC, brought two soloists to add music to our event. Zion Martin sang “You Are Good Medley” by Todd Galberth, and Victoria Wallace sang, “Rise Up” by Audra Day. Neil Sardana of Atlanta Jobs with Justice spoke, as well as Anne Olson (Human Rights Atlanta), student activists Emma Fischer and Kristina Kimball, and hourly staff.

For the full video of the teach-in click here:

At the event we celebrated the work of past activists: Della Spurley-Bell and Carrie Wells, co-founders of the first and oldest unionized facilities staff in the U.S. South. Hear the story of the union founding here (retired custodians Della Spurley-Bell and Maggie Ivy):

The first Living Wage video was made in 2007 by ASC alumna Mia Mingus, who worked at the time at SPARK: Reproductive Justice Now:

A few days before the teach-in, Della Spurley-Bell and Tina Pippin appeared on the WRFG Labor Forum and were interviewed by Diane Mathiowetz and Paul McLannan. A summary of the history and issues of the campaign are here:

Videos from our alumnae, faculty, and community supporters are here:


The Agnes Scott Living Wage Campaign can be found on social media:

 

Facebook alumnae group is Agnes Scott College: Living Honorably
Facebook page is ASC Living Wage
Twitter is @livingwageasc
Instagram is @asclivingwagecampaign

Stephen D. Brookfield: Resources for the Podcast

Dr. Stephen D. Brookfield’s website:

http://www.stephenbrookfield.com/

The 99ers Band website:

http://www.the99ersband.com/

Brookfield, Stephen, ed. 1987. Learning Democracy: Edward Lindeman on Adult Education and Social Change. London: Routledge, Kegan & Paul.

_____. 2004. The Power of Critical Theory: Liberating Adult Learning and Teaching. New York: Jossey-Bass.

T.J. Jourian: Resources for the Podcast

Here’s some homework: find out about the use of the asterisk:

Avery Tomkins, “Asterisk,” TSQ: Transgender Studies Quarterly 1 (1-2): 26-27: http://tsq.dukejournals.org/content/1/1-2/26.full. See also: “Why we used trans* and don’t anymore”: http://www.transstudent.org/asterisk

Movement Strategy Center: http://movementstrategy.org/

Link to The Transitions Initiative and Transitions Labs: http://movementstrategy.org/msc-approach/transition/

Out of the Spiritual Closet: Organizers Transforming the Practice of Social Justice, Kristin Zimmerman, Neelam Pathi Konda, Brenda Salgado Taj James, MSC, 210:

http://movementstrategy.org/directory/out-of-the-spiritual-closet/

www.liberationspirituality.org

http://www.contemplativemind.org/

Stephen D. Brookfield on Being a Critically Reflective Teacher: Part 1

Dr. Stephen Brookfield is the John Ireland Endowed Chair at the University of St. Thomas in Minneapolis, Minnesota. He has been evolving as a teacher and teaching others how to evolve through critical, reflective practices for almost fifty years. He is the author of 18 books on adult learning and education, critical race theory and adult education, teaching through discussion, democratic spaces, power dynamics in the classroom, social justice teaching, and activist education. He incorporates critical theory (e.g. Gramsci, Marcuse, Habermas) and pedagogical theories (e.g. Paulo Freire, Myles Horton, Ira Shor, John Dewey, Eduard Lindeman) in his writing.

In Part 1 Stephen talks about his background and what drew him into teaching. He models what it means to be a critically reflective teacher—in Freire’s words, authoritative, not authoritarian. He continually searches for what’s new, what is yet to be realized—and that awareness involves a critique of power in the classroom. “There is no such thing as a power-free classroom,” he writes. Everything, including naming, reifies power dynamics. “Efforts to introduce more student-centered, empowering activities sometimes, in a teasing contradiction, underscore teachers’ power,” he has written, and faculty have to know and reflect on their own social locations and privileges as they challenge white supremacy, patriarchy, heteronormativity, and capitalism.

The New Yorker Article: A Conversation with Freedom U. GA Students

photo credit: Laura Emiko Soltis

In this 12 minute bonus segment Arizbeth and Rafael respond to The New Yorker article by Jonathan Blitzer from May 22, 2017: “An Underground College for Undocumented Immigrants.” Rafael ends the segment with his poem, “The Monarch Martyr.” In this photo you see Freedom U. students at a University of Georgia class right before their arrest. The butterfly wings idea originated from artist activist David Solnit, a puppeteer who has used his art in social movements for over thirty years (e.g. the World Trade Protests in Seattle in 1999). He uses art in protest and revolution, and the Freedom U. students adapted his creative strategy for their courageous acts of resistance.

photo credit: Laura Emiko Soltis

How to support Freedom University Georgia? Donations to this grassroots sanctuary movement go a long way to making their dreams of educational equality a reality. Professors volunteer, but funds are needed for classroom space, books, college tours, and pizzas. If you live in metro Atlanta, there are volunteer opportunities, such as being a driver. If you are connected with a college or university, make sure you have policies to support and provide opportunities for students like the ones on this podcast. Check out their website [www.freedomuniversitygeorgia.com/donate] and Facebook page [Freedom U. Georgia] for current updates and connections. Nothing Never Happens will keep in touch with these new friends and will post updates too.

Ira Shor on Critical Pedagogy: Questioning the Status Quo – Part 1

March 13, 2017

Ira Shor is Professor of English at the College of Staten Island and Professor of Rhetoric and Composition at The Graduate Center, CUNY. He is a leading theorist and practitioner in critical literacy and pedagogy and democratic classroom spaces. Shor is the author of numerous books, including: Critical Teaching and Everyday Life (1980), Empowering Education: Critical Teaching for Social Change (1992), When Students Have Power: Negotiating Authority in a Critical Pedagogy (1996), and a 1987 “talking book” with Paulo Freire at The Highlander Research Center, A Pedagogy of Liberation: Dialogues on Transforming Education. In our conversation on March 13, 2017 Shor offered his definition of critical pedagogy and his critique of mainstream practices in higher education, along with insights into risk-taking and creating just and democratic spaces in the classroom.

“We have been allowed to know only one definition of rigor, the authoritarian, traditional one, which mechanically structures education, and discourages us from the responsibility of recreating ourselves in society.” (A Pedagogy for Liberation, p. 77)

“Fear comes from the dream you have about the society you want to make and to unmake through teaching and other politics.” (A Pedagogy for Liberation, p. 56)