Category Archives: engaged pedagogy

Freire’s First Critic: An Interview with Carlos Alberto Torres: Part 1

Carlos Alberto Torres is Professor of Social Sciences and Comparative Education at UCLA (2009-present), past Director of the UCLA Latin American center (1995-2005) and founder of the Paulo Freire Institute in São Paulo, Brazil (with Freire in 1991), Buenos Aries, Argentina, and UCLA (since 2002). Prof. Torres is also President of the World Council of Comparative Education Societies (WCCES). He is the author of numerous articles and books, including Social Theory and Education (with Robert Allan Morrow; SUNY Press, 1995), Comparative Education: The Dialectics of the Global and the Local (with Robert Arnove; Rowan & Littlefield, 2013, and the editor of First Freire: Early Writings in Social Justice Education (Teachers College Press, 2014). He has written short stories and poetry and is also an accomplished gardener and woodworker. A complete list of his background, research and accomplishments can be found on his website, https://carlosatorres.com/

We spoke last summer about the origins of his interests in Freire and democratic education. In Part One of our conversation Torres tells stories about his background in Argentina and the influence not only of Freire but also of the Jesuit priest, teacher,  and liberation theologian Carlos Mugica (1930-1974), who was assassinated by the dictatorship. Mugica’s last words, “Now more than ever, we must be with the people,” resonate with the liberation movements of that time and now.

Resources for the Victoria Rue Theatre as Pedagogy Podcast

Victoria Rue’s website:

http://victoriarue.com/

Victoria Rue, Acting Religious: Theatre as Pedagogy in Religious Studies (Pilgrim Press, 2005).

Augusto Boal, Games for Actors and Non-Actors, trans. Adrian Jackson (Routledge, 1992).

_____, Theatre of the Oppressed (Urizen, 1979).

Sandra Butler and Barbara Rosenflum, Cancer in Two Voices (2nd Ed., Spinster Ink Books, 1996).

Joe Chaikin, The Presence of the Actor (Theatre Communications Group, 1972).

Maha Elgenaidi, founder of the Islamic Networks Group (ING):

https://ing.org/maha-elgenaidi/

Vsevold Meyerhold, Meyerhold on Theatre (Bloomsbury Meuthen Drama, 1978).

Pedagogy and Theatre of the Oppressed Conference:

https://ptoweb.org/

Anna Deavere Smith, Fires in the Mirror (Anchor, 1993).

Viola Spolin, Improvisation for the Theatre: A Handbook of Teaching and Directing Techniques (3rd Edition, Northwestern University Press, 1999).

Theology Resources Mentioned in the Podcast:

James H. Cone, A Black Theology of Liberation (Orbis, 2010).

Beverly Harrison, Making the Connections: Essays in Feminist Social Ethics (Beacon, 1986).

_____. Our Right to Choose: Toward a New Ethic of Abortion (Beacon, 1983).

Carter Heyward, God in the Balance: Christian Spirituality in Times of Terror (Pilgrim, 2002).

Dorothee Soelle, Thinking about God: An Introduction to Theology (Wipf & Stock, 2016).

Additional resources for theatre of the oppressed:

 Bell, Lee Anne, Storytelling for Social Justice: Connecting Narrative and the Arts in Antiracist Teaching (Routledge, 2010).

Melisa Cahmann-Taylor and Mariana Souto-Manning, Teachers Act Up!: Creating Multicultural Learning Communities through Theatre (Teachers College Press, 2010).

Cohen-Cruz, Jan, Local Acts: Community-Based Performance in the United States (Rutgers, 2005).

Hannah Fox, Zoomy Zoomy: Improv Games and Exercises for Groups (Tusitala Publishing, 2010).

Katherine S. McKnight and Mary Scruggs, The Second City Guide to Improv in the Classroom: Using Improvisation to Teach Skills and Boost Learning (Jossey-Bass, 2008).

Stanley Pollack and Mary Fusoni, Moving Beyond Icebreakers: An Innovative Approach to Group Facilitation, Learning, and Action (The Center for Teen Empowerment, Inc., 2005).

Michael Rohd, Theatre for Community, Conflict & Dialogue: The Hope Is Vital Training Manual (Heinmann, 1998).

Mady Schutzman and Jan Cohen-Cruz, Playing Boal: Theatre, Therapy, Activism (Routledge, 1994).

Theatre as Pedagogy: Victoria Rue Interview Part 2

In the second half of our conversation Victoria Rue talks about the
importance of theatre in the classroom as a way to break out of the ruts and old habits of traditional teaching. She offers suggestions for tools on the journey, as well as stories of her own experiences of transformative teaching and learning with students. Rue, like Marc Weinblatt in the previous podcast in July, calls attention to theatre as a necessary pedagogical method for social justice education.

Theatre as Pedagogy: A Conversation with Victoria Rue: Part One

Victoria Rue is a professor, author, playwright, theatre director and workshop leader, and Roman Catholic womanpriest. She has taught at San Jose State University from 2004 to the present in Comparative Religious Studies and Women’s Studies. In the Fall of 2018 she will be at Dar Al Calamar University College in Arts and Culture (http://www.daralkalima.edu.ps/en) Palestine as a Fulbright Scholar. For Rue learning is an encounter with the self and others, and theatre is a way to engage the whole person in critical thinking and engaging stories. She uses theatre as a way to teach cooperation, community building and somatic learning (embodied pedagogy). Through theatre games, improvisation, writing exercises, and the performance of plays, Rue creates learning communities that explore new possibilities for social change. Her work addresses issues such as HIV/AIDS, domestic violence, lgbtq issues, and homeless youth. With Augusto Boal, Rue sees “theatre as rehearsal for revolution.” According to Rue: “Theatre is an arena in which we can dream what we want in our society.” Her book, Acting Religious: Theatre as Pedagogy in Religious Studies (Pilgrim Press, 2005) has both theory and practical examples of her pedagogy and theatre work. For more information see her website: www.victoriarue.com

In Part One, Victoria talks about her theatre background and the major influences on her work.

 

Marc Weinblatt: Part Two: Theatre for Systemic Change

In Part Two: Theatre for Systemic Change, Marc talks about his experiences with Forum Theatre and Legislative Theatre in addressing community issues. With over 30 years experience, Marc shows the successes, opportunities, and future vision of his theatre work.

The Mandala Center for Change: “Founded in 1999, the Mandala Center is a multi-disciplinary arts education organization dedicated to community dialogue, social justice, and societal transformation.”

www.mandalaforchange.com

Read the article by Marc Weinblatt & Cheryl Harrison, “Theatre of the Oppressor: Working with Privilege Toward Social Justice,” pp. 21-21 in “Come Closer”: Critical Perspectives on Theatre of the Oppressed, eds. Toby Emert & Ellie Friedland (Peter Lang, 2011).

 

Theatre of Liberation: Marc Weinblatt of the Mandala Center for Change: Part One

“Theatre is a form of knowledge; it should and can also be a means of transforming society. Theatre can help us build our future, rather than just waiting for it.”—Augusto Boal, Theatre of the Oppressed

Marc Weinblatt has been a professional educator, theatre director, activist, and workshop facilitator since 1980 having extensive experience with both adults and youth. An internationally recognized leader in the use of Augusto Boal’s renowned Theater of the Oppressed (T.O.) to stimulate community dialogue and social change, Marc has worked with diverse communities ranging from police to homeless youth, grassroots organizers and laborers to University deans. Internationally, he has worked with activists in Norway, Holland, and Canada, youth workers in Guatemala, refugees in Azerbaijan, ex-combatants in Northern Ireland, construction workers in South Africa, slum families in India, community workers in the Republic of Congo, and victims of war, among others, in Afghanistan. Marc was named “Cultural Envoy” by the U.S. State Department for his work in the Congo in spring 2010. Marc regularly facilitates T.O. based diversity / anti-oppression workshops in a wide variety of contexts across the U.S. with a commitment to bringing a deep sense of spirit and humanity into social justice work. He also directs the multi-generational Poetic Justice Theatre Ensemble which incorporates T.O. and Playback Theatre techniques to generate community dialogue on burning social issues. One of Augusto Boal’s “multipliers”, Marc has trained thousands of people in the use of Theatre of the Oppressed techniques through his classes and annual week-long intensive trainings since the early 1990′s. Marc is also a dedicated father of 4 beautiful boys. (bio from the Mandala Center for Change website: http://www.mandalaforchange.com/site/about-us/our-team/)

In Part One: Theatre of Liberation, Marc shares his theatre background and outlines Augusto Boal’s Theatre of the Oppressed (TO) and Playback Theatre (founded by Jo Salas and Jonathan Fox). He draws examples from his experience with homeless and lbgtq youth.

 

Ecopedagogies: Part 2

Laurel Kearns and Tim Van-Meter

In Part 2 of our podcast on ecopedagogies, Laurel Kearns and Tim Van Meter take us through several concrete pedagogical practices in ecoliteracy and ecopedagogy. They discuss the use of autogeographies in their classrooms to enable students to examine their place in the world. And they take us through the interdisciplinary pedagogical practices and commitments both inside and outside the classroom in the work of ecojustice. They show the interconnections of earth, self, community, and justice in their classrooms and their engagement in larger social change movements.

Ecopedagogies: Part 1

Prof. Laurel Kearns
Prof. Tim Van Meter

In this first of hopefully many podcasts on the topic of ecopedagogies, I am joined by Prof. Laurel Kearns of Sociology and Religion and Environmental Studies at Drew Theological School and the Graduate Division of Religion at Drew University and Prof. Tim Van Meter, Alford Chair of Christian Education and Youth Ministry and Coordinator of the Cross-Cultural Program at Methodist Theological School in Ohio. They are both part of The Green Seminary Initiative, and teach courses in religion and ecology. We discuss the roots and origins of ecological theory, environmental justice and place-based education, resilience theory, contested spaces and points of tension in environmental studies and religion, along with several main areas: food (organic farming; food justice), animals, climate change, urban vs. rural, consumption/waste, role of religious groups in environmental justice (and faith-based initiatives), links to action and pubic policy work, and imagining the future. In other words, Laurel and Tim set the larger context of ecological pedagogies for us and give offer inspiration and ideas for an eco-inclusive classroom and curriculum.

Popular Education for Social Change: The New Poor People’s Campaign, Part 2

In Part 2 Colleen and Willie bring us to the challenges of our current time with specific strategies for educating about systemic poverty. They show us an intersectional approach and offer tools for meeting people where they are. An engaged scholarship is at the root of their activist work. They end on a note of hope, as encouragement and challenge to engage in the work of social change.

Popular Education for Social Change: The New Poor People’s Campaign

At the fiftieth anniversary of the Memphis Sanitation Workers’ Strike, the Poor People’s Movement, and the assassination of the Rev. Dr. Martin Luther King, Jr., I invited two activist-scholars involved in the New Poor People’s Movement to talk about popular education and movement building for social change. In Part 1, Willie and Colleen talk about the legacy of the sanitation workers’ strike and the Poor People’s Movement, and how they defined leadership and power and “found a way out of no way” in a politically charged 1968.

From the Kairos Center website:
Willie Baptist is a formerly homeless father of three who came out of the Watts uprisings and the Black Student Movement. He has 50 years of experience educating and organizing amongst the poor and dispossessed including working as a lead organizer with the United Steelworkers, as an educator and organizer with the National Union of the Homeless and its educational arm, the Annie Smart Leadership Development Institute, as the Education Director of the Kensington Welfare Rights Union for 10 years, and as a lead organizer and educator for the Poor People’s Economic Human Rights Campaign, as well as many other networks. He is a Board member of the National Welfare Rights Union, the United Workers of Maryland, Picture the Homeless in New York and on the Advisory Committee for the Wildfire Project. Willie is the author of numerous books, articles, and pamphlets including Pedagogy of the Poor, A New and Unsettling Force: Re-Igniting Rev. Dr. Martin Luther King’s Poor People’s Campaign, It’s Not Enough to Be Angry, Lessons from the Poor Organizing the Poor: 5 Main Ingredients and the 6 Panther P’s. Willie presently serves as the Poverty Initiative Scholar-in-Residence and Co-Coordinator of Poverty Scholarship and Leadership Development for the Kairos Center.”

Colleen Wessel-McCoy has been involved with the Poverty Initiative since 2004 and currently works as Co-Coordinator of Poverty Scholarship and Leadership Development, with Willie Baptist. Originally from Marietta, Georgia, Colleen received her undergraduate degree in religion and social justice from Agnes Scott College. She was part of the inaugural year of the Interfaith Service House and worked for several years as a tenant organizer in Chicago. She and John Wessel-McCoy have two children, Myles and Josephine. She has a MDiv from Union Theological Seminary and earned her Ph.D. in May 2017 in Christian Social Ethics with a dissertation on Martin Luther King, Jr.’s vision for the Poor People’s Campaign of 1968 and its lessons for building a social movement to end poverty today.” Colleen also helped develop the Religion and Social Justice major at Agnes Scott College, along with being the first major in this program.

In Part 1 Willie and Colleen tell the story of the work of the Kairos Center at Union Theological Seminary in New York City. Part of the mission statement of the Center, based on the Greek word for “the right and opportune time,” is:

“We believe we are living in a kairos moment: A moment of great change and transition, where the old ways of doing things are breaking down, new ones are trying to emerge, and decisive action is demanded.”